SOLO EXHIBITIONS
2025 | →First Light/High Tide, 16 Collective, Glasgow, Scotland |
One Pagers (2025), series of unique C prints, each measuring 40 × 30 cm, held in place by steel bars leaning against the window.
2025 | fern von, Galerie im Schlosspavillon, Ismaning, Munich, Germany |
2024 | →Feeler, OxfordBerlin, Berlin, Germany |
2023 | →Thingish, Intermedia Gallery, CCA, Glasgow, Scotland |
2021 | Ghostwriting, Enūma Eliš, 1070 Vienna, Austria |
2021 | Nook and Cranny, 2-2-2, Stuttgart, Germany ↓ |
Nook and Cranny, 2021, part of a series of small photograms, exposed through keyholes of various doors to domestic or work-related rooms, approx. 12x12 cm
(Scan)
2021 | →Jiffy, L187, Offenbach, Germany |
2018 | As a lover or a chameleon, Studio -1-414, Kunsthochschule Mainz, 55122 Mainz, Germany |
2017 | s fort, Show Me, 55112 Mainz, Germany |
s fort, 2017, an exhibition in collaboration with Andrea Farrenkopf. Works were mounted on a freestanding modular display system of MDF panels, temporarily bent with ratchet straps. Works seen: Untitled, 2017, inkjet print from analogue photograph, unframed, 60x80 cm. SSSSIT, 2017, photogram, 24x17 cm. (Commissioned photo by Neven Allgeier)
SSSSIT, 2017, photogram, 24x17 cm, mounted on freestanding bent MDF panel. (Commissioned photo by Neven Allgeier)
GROUP EXHIBITIONS, CONTRIBUTIONS
2025 | →oxfordberlin editions/Editionen, Linienstraße, Düsseldorf, Germany |
2025 | Best Regards, Edmund Felson Gallery, Berlin, Germany |
2024 | Five Minutes (Late), various locations in public space, Frankfurt am Main, Germany |
2024 | →Out of Focus, Kunstverein Friedberg, Germany |
2024 | Trying to find the one by seeking and hiding, B12, Bottrop, Germany |
2023 | Trage ein Trikot von Tipico, Q18 Quartier am Hafen, Cologne, Germany |
2023 | →make you stay, music video for Emily Wittbrodt, online |
2023 | Sofort so fort, Neuer Kunstverein Mittelrhein, Neuwied, Germany↓ |
Motors, 2023, 15 drawings on paper, resting on top of found drinking vessels, placed along the sun’s path through the exhibition space at Neuer Kunstverein Mittelrhein (11am-2:45pm)
2023 | Vom Spielen, Ludwig Museum, Koblenz, Germany |
2023 | La Réciproque, Cité internationale des arts, Paris, France |
2020 | Emy-Roeder-Prize Shortlist, Kunstverein Ludwigshafen, 67059 Ludwigshafen, Germany |
2020 | The Sill-Grill: Barbecue for Beginners, hosted by Leonie Licht, Angewandte Festival, Vienna, Austria |
2020 | Wir leben auf einem Stern: Intro, Kunsthalle Mainz, 55118 Mainz, Germany |
2020 | Causal Loops / Time Squiggles, published by Compagnia, London, UK |
2020 | Upcoming: Glasgow, published by →N2H4, Brussels, Belgium |
2019 | I Engineer, Spinnerei, 04179 Leipzig, Germany |
2019 | Chains, published by Julia Gerke and Julia Carolin Kothe, launch at CCA, Glasgow G2 3JD, Scotland |
2019 | Graduate Degree Show, Glasgow School of Art, Glasgow G1 5ES, Scotland |
2019 | Causal Loops, Time Squiggles, XXV. Artists Research Laboratory with Ei Arakawa, Kasper König, Nora Schultz, Fondazione Antonio Ratti, 22100 Como, Italy |
2019 | Too Little, Too Late, Outlier, Glasgow G1 5NB, Scotland |
2019 | How To, Outlier, Glasgow G1 5NB, Scotland |
2019 | Strange Weather, Skypark, Glasgow G3 8EP, Scotland |
2018 | Helios (Moving Cinema), 55116, 55118, 55122 Mainz, Germany |
2018 | The Tell Tale Heart Museum, Apotheke, 55116 Mainz, Germany |
2018 | Verstehen, nicht verstehen, Kantonsspital Bruderholz, 4101 Basel, Switzerland |
2018 | WELL::NESS BAD::ASS, Kunstverein Speyer, 67346 Speyer, Germany |
2018 | Strangers on a Train, 64. Kurzfilmtage Oberhausen, 46045 Oberhausen, Germany |
2017 | Let’s See, Where Were We? In the Pit of Despair, De Ateliers, 1073 AT Amsterdam, Netherlands |
2017 | Strangers on a Train, Kunsthalle Mainz, 55118 Mainz, Germany |
2017 | Tell Tales, 55116 Mainz, Germany |
2017 | Das Gegenüber ist ein unbekannter Raum, Klasse Andrea Büttner Studios, 55118 Mainz, Germany |
2017 | “You Lost Me at ‘I don’t like reading’”, →Passe-Avant, Germany |
2017 | Chambers A User’s Manual II, Passe-Avant, 60594 Frankfurt am Main, Germany |
2016 | Cruise, Ausstellungshalle Sophienstrasse, 60487 Frankfurt am Main, Germany |
2017 | Chambers A User’s Manual: Chapter I, Passe-Avant, 60594 Frankfurt am Main, Germany |
2016 | Makes Your Soul Feel Good Forever, Good Forever, 40211 Düsseldorf, Germany |
2016 | One Month: After the Materialization of the Art Object, Temporary Gallery, 50676 Cologne, Germany |
2015 | Es wird sogar schön, temporary offspace, 45127 Essen, Germany |
*1990 in Bonn, Germany
Based in Glasgow, UK and Cologne, GER
↳mail[at]eleniwittbrodt.de
↳@wttbrdt
2019 | MLitt Fine Art Practice, Glasgow School of Art |
2018 | Diplom Bildende Kunst, Kunsthochschule Mainz, Germany |
RESIDENCIES, GRANTS
2025 | LUX Scotland Research Bursary |
2024 | Artist in Residence, Atelierprogramm Ismaning, Germany |
2024 | Alexander Tutsek Foundation Project Grant |
2024 | Riverside Topographies, Research and development residency, Glasgow, Scotland |
2022 | Artist in Residence at Cité internationale des arts, Paris, France |
2021 | Royal Drawing School Residency, Dumfries House, Scotland |
2021 | Paper Residency, d'mage, Berlin, Germany |
2020 | Creative Scotland Bridging Bursary |
2019 | XXV. Artists Research Laboratory, Fondazione Ratti, Como, Italy |
2016 | Cusanuswerk Künstler*innenförderung (until 2019) |
2015 | Deutschlandstipendium, German Federal Ministry of Education and Research, Germany |
PRESS
2023 | →Do only interesting people get interested? |
2021 | →Die Gesteinsflüsterin |
2018 | →Turning Pages, Turning Blue |
PUBLIC COLLECTIONS
2021 | Haus des Papiers, Berlin, Germany |
2021 | Dumfries House Collection, Scotland |
PROJECTS
2025 | Visiting Lecturer at Glasgow School of Art, Scotland |
2022 | Participant of the →Crown Letter Project |
2021 | Editor at →NOTES Photography Journal, Scotland |
2016 | Founder of →Organized Orgasms, interdisciplinary collective in Mainz, Germany |
2015 | Founder of →Ruelle e.V., offspace for contemporary arts in Mainz, Germany |
WORKS
2025 | One Pagers, series of unique C-Prints, 40x30cm each |
One Pagers (2025), series of unique C prints, each measuring 40 × 30 cm, held in place by steel bars leaning against the window.
2025 | →First Light/High Tide, 16Collective, Glasgow, Scotland |
2025 | fern von, Galerie im Schlosspavillon, Ismaning, Munich, Germany |
2024 | →Feeler, OxfordBerlin, Berlin, Germany |
2023 | →THINGISH, Intermedia Gallery, CCA Centre for Contemporary Arts, Glasgow, Scotland |
2021 | →Jiffy, L187, Offenbach, Germany |
2021 | Ghostwriting, Enūma Eliš, 1070 Vienna, Austria |
2021 | Nook and Cranny, 2-2-2, Stuttgart, Germany ↓ |
Nook and Cranny, 2021, part of a series of small photograms, exposed through keyholes of various doors to domestic or work-related rooms, approx. 12x12 cm
(Scan)
GROUP EXHIBITIONS, CONTRIBUTIONS
2025 | →oxfordberlin editions/Editionen, Linienstraße, Düsseldorf, Germany |
| 2025 | Best Regards, Edmund Felson Gallery, Berlin, Germany |
2024 | Five Minutes (Late), various locations in public space, Frankfurt am Main, Germany (Group show curated by Vivien Kämpf) |
2024 | →Out of Focus, Kunstverein Friedberg, Germany |
2024 | Trying to find the one by seeking and hiding, B12, Bottrop, Germany |
2023 | Trage ein Trikot von Tipico, Q18 Quartier am Hafen, Cologne, Germany (Group show curated by Roger Rohrbach) |
2023 | →make you stay, music video for Emily Wittbrodt, online |
2023 | Sofort so fort, Neuer Kunstverein Mittelrhein, Neuwied, Germany↓ |
Motors, 2023, 15 drawings on paper, resting on top of found drinking vessels, placed along the sun’s path through the exhibition space at Neuer Kunstverein Mittelrhein (11am-2:45pm)
2023 | Vom Spielen, Ludwig Museum, Koblenz, Germany |
2023 | La Réciproque, Cité internationale des arts, Paris, France |
2020 | Emy-Roeder-Prize Shortlist, Kunstverein Ludwigshafen, 67059 Ludwigshafen, Germany |
2020 | The Sill-Grill: Barbecue for Beginners, hosted by Leonie Licht, Angewandte Festival, Vienna, Austria |
2020 | Wir leben auf einem Stern: Intro, Kunsthalle Mainz, 55118 Mainz, Germany |
2020 | Causal Loops / Time Squiggles, published by Compagnia, London, UK |
2020 | Upcoming: Glasgow, published by →N2H4, Brussels, Belgium |
2019 | I Engineer, Spinnerei, 04179 Leipzig, Germany |
2019 | Chains, published by Julia Gerke and Julia Carolin Kothe, launch at CCA, Glasgow G2 3JD, Scotland |
2019 | Graduate Degree Show, Glasgow School of Art, Glasgow G1 5ES, Scotland |
2019 | Causal Loops, Time Squiggles, XXV. Artists Research Laboratory with Ei Arakawa, Kasper König, Nora Schultz, Fondazione Antonio Ratti, 22100 Como, Italy |
2019 | Too Little, Too Late, Outlier, Glasgow G1 5NB, Scotland |
2019 | How To, Outlier, Glasgow G1 5NB, Scotland |
2019 | Strange Weather, Skypark, Glasgow G3 8EP, Scotland |
2018 | Helios (Moving Cinema), 55116, 55118, 55122 Mainz, Germany |
2018 |
| Neustart, Kunsthochschule Mainz, 55122 Mainz, Germany |
2018 | The Tell Tale Heart Museum, Apotheke, 55116 Mainz, Germany |
2018 | Verstehen, nicht verstehen, Kantonsspital Bruderholz, 4101 Basel, Switzerland |
2018 | WELL::NESS BAD::ASS, Kunstverein Speyer, 67346 Speyer, Germany |
2018 | Strangers on a Train, 64. Kurzfilmtage Oberhausen, 46045 Oberhausen, Germany |
2017 | Let’s See, Where Were We? In the Pit of Despair, De Ateliers, 1073 AT Amsterdam, Netherlands |
s fort, 2017, an exhibition in collaboration with Andrea Farrenkopf. Works were mounted on a freestanding modular display system of MDF panels, temporarily bent with ratchet straps. Works seen: Untitled, 2017, inkjet print from analogue photograph, unframed, 60x80 cm. SSSSIT, 2017, photogram, 24x17 cm. (Commissioned photo by Neven Allgeier)
SSSSIT, 2017, photogram, 24x17 cm, mounted on freestanding bent MDF panel. (Commissioned photo by Neven Allgeier)
2017 | Strangers on a Train, Kunsthalle Mainz, 55118 Mainz, Germany |
2017 | Tell Tales, 55116 Mainz, Germany |
2017 | Das Gegenüber ist ein unbekannter Raum, Klasse Andrea Büttner Studios, 55118 Mainz, Germany |
2017 | “You Lost Me at ‘I don’t like reading’”, →Passe-Avant, Germany |
2017 | Chambers A User’s Manual II, Passe-Avant, 60594 Frankfurt am Main, Germany |
2016 | Cruise, Ausstellungshalle Sophienstrasse, 60487 Frankfurt am Main, Germany |
2017 | Chambers A User’s Manual: Chapter I, Passe-Avant, 60594 Frankfurt am Main, Germany |
2016 | Makes Your Soul Feel Good Forever, Good Forever, 40211 Düsseldorf, Germany |
2016 | One Month: After the Materialization of the Art Object, Temporary Gallery, 50676 Cologne, Germany |
2015 | Es wird sogar schön, temporary offspace, 45127 Essen, Germany |
*1990 in Bonn, Germany
Based in Glasgow, UK and Cologne, GER
↳mail[at]eleniwittbrodt.de
↳@wttbrdt
2019 | MLitt Fine Art Practice, Glasgow School of Art |
2018 | Diplom Bildende Kunst, Kunsthochschule Mainz, Germany |
RESIDENCIES, GRANTS
2025 | LUX Scotland Research Bursary |
2024 | Artist in Residence, Atelierprogramm Ismaning, Germany |
2024 | Alexander Tutsek Foundation Project Grant |
2024 | Riverside Topographies, Research and development residency, Glasgow, Scotland |
2022 | Artist in Residence at Cité internationale des arts, Paris, France |
2021 | Royal Drawing School Residency, Dumfries House, Scotland |
2021 | Paper Residency, d'mage, Berlin, Germany |
2020 | Creative Scotland Bridging Bursary |
2019 | XXV. Artists Research Laboratory, Fondazione Ratti, Como, Italy |
2016 | Cusanuswerk Künstler*innenförderung (until 2019) |
2015 | Deutschlandstipendium, German Federal Ministry of Education and Research, Germany |
PUBLIC COLLECTIONS
2021 | Haus des Papiers, Berlin, Germany |