Snapshot from install at Neuer Kunstverein Mittlerhein: Sunlight markers for "Motors" (2023)
Snapshot from install at Neuer Kunstverein Mittelrhein, setting up "Motors"
Exhibition invitation: THINGISH at CCA Glasgow Intermedia Gallery
13 May–3 June 2023, opening 12 May 6–9pm
Poster design by Anne Büttner
Pacemaker, 2022, unique lumen print on baryta paper, installation view at Cité internationale des arts Paris
Jiffy, 2021, site specific temporary installation, found images, b/w offset newsprint in an edition of 400, transparent tape, variable dimensions (Detail, photo by L187)
Nook and Cranny, 2021, part of a series of small photograms, exposed through keyholes of various doors to domestic or work-related rooms, approx. 12x12 cm (Scan)
OOO, 2017, hollow iron ball with circular cut-outs, 12 cm diameter, to be used as ashtray (Exhibition view at Let’s See, Where Were We? In the Pit of Despair, De Ateliers, Amsterdam, Netherlands. Ashtray in foreground by Tirza Kater)
G, 2016, photogram, 24x17 cm (Scan)
Exhibition poster for "Nook and Cranny", 2021, solo show at 2-2-2, Stuttgart (Design by Studio Tillack Knöll)
s fort, 2017, duo with Andrea Farrenkopf, works on paper, bent MDF panels, ratchet straps (Exhibition view at Show Me, Mainz, Germany. Commissioned photos by Neven Allgeier) Work seen: SSSSIT, photogram, 2017, 24x17 cm
Programme flyer for "Strangers on a Train", 2017, collective work with Filmklasse Mainz, Screening and performance series at Kunsthalle Mainz
Lotto, 2019, tennis ball lottery with dog as adjudicator, collective work with Ilan Bachl, Marc Buchy, Letizia Calori, Douna Lim, Théo Pesso, Edoardo Manzoni, Nora Schultz and the participation of Arto & Runa (Performance documentation from Studio Aperto, XXV. Artists‘ Research Laboratory, Fondazione Ratti, Como, Italy. Photo by Luca Bianco)
Untitled, 2017, digital photograph
Untitled, 2016, analogue photograph (Scan)
Studies for Dew Point, 2019 (Darkroom snapshot)
As a lover or a chameleon, 2018, complete cyanotype rendering of RH Qyatman’s book “Spine”, 220 sheets, A4 each (Scan)
Programme flyer for "Strangers on a Train", 2017, collective work with Filmklasse Mainz, Screening and performance series at Kunsthalle Mainz
As a lover or a chameleon, 2018, installation, complete cyanotype rendering of RH Quaytman’s book “Spine”, 220 sheets, A4 each, various works on paper, polypropylene straps, magnets (Exhibition view. Commissioned photo by Diana Pfammatter)
attacca, 2015, ink drawings on wallpaper, dimensions variable (Exhibition view at Four Girls One Room, Ruelle, Mainz, Germany)
2 kg, 2016, photogram, 24x17 cm (Scan)
Blues, 2019, laser cut photogram, steel pins, 40x30 cm (Installation view)
Elvis Live, 2018, 45' performance by professional Elvis impersonator Leo Bischof, part of The Tell Tale Heart Museum, collaborative work with Filmklasse Mainz at Apotheke, Mainz, Germany (Performance snapshot by Tony Johnson)
Small Vessel, 2016, photogram, 10x10 cm (Scan)
Spring, 2017, rolled works on paper, translucent tape, dimensions variable (Exhibition view at Chambers A User’s Manual: Chaper II, Passe-Avant, Frankfurt am Main, Germany. Photo by Neven Allgeier)
Helios (Moving Cinema), 2018, mobile screening series across Mainz, Germany, collective work with Filmklasse Mainz (Neon sign on site)
Untitled, 2016, analogue photograph (Scan)
On/Off, 2019, photograms from spontaneous phone exposures, magnet clusters, approx. 120x80 cm each (Detail)
Geoluhread, 2016, series of ink drawings on posters, A0 each + 12’ digital sound, (Exhibition view at Chambers A User’s Manual: Chapter 1, Passe-Avant, Frankfurt am Main, Germany. Photo by Neven Allgeier)
Studies for laser cutting photograms, 2019 (Studio snapshot)
Poster for "The Tell Tale Heart Museum", 2018, collaborative exhibition with Filmklasse Mainz at Apotheke, Mainz, Germany
Filmstill of "Strangers on a Train", 2018, collective work with Filmklasse Mainz, 12' b/w 16 mm film, collectively shot and developed on a train journey (Positive Scan)
Studio Visit with PASSE-AVANT, 2016 (Photo by Neven Allgeier, →Text “Performing Memory” by Carina Bukuts
Re: As a lover or a chameleon, 2019, recorded, transcribed, and illustrated conversation between artist and curator Rosie O'Grady, published as a series of three consecutive temporary downloads from a speakeasy web link (Making of/Production view at Strange Weather)
Transport, 2017, series of drawings on posters, A0 each, tape, birch platforms (Exhibition view at Das Gegenüber ist ein unbekannter Raum, Klasse Andrea Büttner studios, Mainz, Germany. Photo by Florian Glaubitz)
Lampshades, 2015, photogram, 40x30 cm (Scan)
As a lover or a chameleon, 2018, complete cyanotype rendering of RH Qyatman’s book “Spine”, 220 sheets, A4 each (Scan)
Screenshots of "Re: As a lover or a chameleon", 2019, recorded, transcribed, and illustrated conversation between artist and curator Rosie O'Grady, published as a series of three consecutive temporary downloads from a speakeasy web link (Desktop view/Screenshot)
Making of Dew Point, 2019 (Darkroom snapshot)
Untitled, 2017, analogue photograph (Scan)
Snapshot from install at Neuer Kunstverein Mittlerhein: Sunlight markers for "Motors" (2023)
Snapshot from install at Neuer Kunstverein Mittelrhein, setting up "Motors"
Exhibition invitation: THINGISH at CCA Glasgow Intermedia Gallery
13 May–3 June 2023, opening 12 May 6–9pm
Poster design by Anne Büttner
Pacemaker, 2022, unique lumen print on baryta paper, installation view at Cité internationale des arts Paris
Jiffy, 2021, site specific temporary installation, found images, b/w offset newsprint in an edition of 400, transparent tape, variable dimensions (Detail, photo by L187)
Nook and Cranny, 2021, part of a series of small photograms, exposed through keyholes of various doors to domestic or work-related rooms, approx. 12x12 cm (Scan)
OOO, 2017, hollow iron ball with circular cut-outs, 12 cm diameter, to be used as ashtray (Exhibition view at Let’s See, Where Were We? In the Pit of Despair, De Ateliers, Amsterdam, Netherlands. Ashtray in foreground by Tirza Kater)
G, 2016, photogram, 24x17 cm (Scan)
Exhibition poster for "Nook and Cranny", 2021, solo show at 2-2-2, Stuttgart (Design by Studio Tillack Knöll)
s fort, 2017, duo with Andrea Farrenkopf, works on paper, bent MDF panels, ratchet straps (Exhibition view at Show Me, Mainz, Germany. Commissioned photos by Neven Allgeier) Work seen: SSSSIT, photogram, 2017, 24x17 cm
Programme flyer for "Strangers on a Train", 2017, collective work with Filmklasse Mainz, Screening and performance series at Kunsthalle Mainz
Lotto, 2019, tennis ball lottery with dog as adjudicator, collective work with Ilan Bachl, Marc Buchy, Letizia Calori, Douna Lim, Théo Pesso, Edoardo Manzoni, Nora Schultz and the participation of Arto & Runa (Performance documentation from Studio Aperto, XXV. Artists‘ Research Laboratory, Fondazione Ratti, Como, Italy. Photo by Luca Bianco)
Untitled, 2017, digital photograph
Untitled, 2016, analogue photograph (Scan)
Studies for Dew Point, 2019 (Darkroom snapshot)
As a lover or a chameleon, 2018, complete cyanotype rendering of RH Qyatman’s book “Spine”, 220 sheets, A4 each (Scan)
Programme flyer for "Strangers on a Train", 2017, collective work with Filmklasse Mainz, Screening and performance series at Kunsthalle Mainz
As a lover or a chameleon, 2018, installation, complete cyanotype rendering of RH Quaytman’s book “Spine”, 220 sheets, A4 each, various works on paper, polypropylene straps, magnets (Exhibition view. Commissioned photo by Diana Pfammatter)
attacca, 2015, ink drawings on wallpaper, dimensions variable (Exhibition view at Four Girls One Room, Ruelle, Mainz, Germany)
2 kg, 2016, photogram, 24x17 cm (Scan)
Blues, 2019, laser cut photogram, steel pins, 40x30 cm (Installation view)
Elvis Live, 2018, 45' performance by professional Elvis impersonator Leo Bischof, part of The Tell Tale Heart Museum, collaborative work with Filmklasse Mainz at Apotheke, Mainz, Germany (Performance snapshot by Tony Johnson)
Small Vessel, 2016, photogram, 10x10 cm (Scan)
Spring, 2017, rolled works on paper, translucent tape, dimensions variable (Exhibition view at Chambers A User’s Manual: Chaper II, Passe-Avant, Frankfurt am Main, Germany. Photo by Neven Allgeier)
Helios (Moving Cinema), 2018, mobile screening series across Mainz, Germany, collective work with Filmklasse Mainz (Neon sign on site)
Untitled, 2016, analogue photograph (Scan)
On/Off, 2019, photograms from spontaneous phone exposures, magnet clusters, approx. 120x80 cm each (Detail)
Geoluhread, 2016, series of ink drawings on posters, A0 each + 12’ digital sound, (Exhibition view at Chambers A User’s Manual: Chapter 1, Passe-Avant, Frankfurt am Main, Germany. Photo by Neven Allgeier)
Studies for laser cutting photograms, 2019 (Studio snapshot)
Poster for "The Tell Tale Heart Museum", 2018, collaborative exhibition with Filmklasse Mainz at Apotheke, Mainz, Germany
Filmstill of "Strangers on a Train", 2018, collective work with Filmklasse Mainz, 12' b/w 16 mm film, collectively shot and developed on a train journey (Positive Scan)
Studio Visit with PASSE-AVANT, 2016 (Photo by Neven Allgeier, →Text “Performing Memory” by Carina Bukuts
Re: As a lover or a chameleon, 2019, recorded, transcribed, and illustrated conversation between artist and curator Rosie O'Grady, published as a series of three consecutive temporary downloads from a speakeasy web link (Making of/Production view at Strange Weather)
Transport, 2017, series of drawings on posters, A0 each, tape, birch platforms (Exhibition view at Das Gegenüber ist ein unbekannter Raum, Klasse Andrea Büttner studios, Mainz, Germany. Photo by Florian Glaubitz)
Lampshades, 2015, photogram, 40x30 cm (Scan)
As a lover or a chameleon, 2018, complete cyanotype rendering of RH Qyatman’s book “Spine”, 220 sheets, A4 each (Scan)
Screenshots of "Re: As a lover or a chameleon", 2019, recorded, transcribed, and illustrated conversation between artist and curator Rosie O'Grady, published as a series of three consecutive temporary downloads from a speakeasy web link (Desktop view/Screenshot)
Making of Dew Point, 2019 (Darkroom snapshot)
Untitled, 2017, analogue photograph (Scan)